★★★
Waterbrook Multnomah, 6th October 2015
368 Pages, Print and Ebook
Katharina von Bora has seen nothing but the inside of cloister walls since she was five. In a daring escape, Katharina finds refuge with Martin Luther and seeks his help to pair her with the noble, wealthy husband she desires.
As class tensions and religious conflicts escalate toward the brink of war, Martin Luther believes that each day could be his last and determines he will never take a wife.
As the horrors of the bloody Peasant War break out around them, the proud Katharina and headstrong Martin Luther fight their own battle for true love, in one of the greatest love stories of history.
This was my fourth book by the
popular author Jody Hedlund. I don’t know very much at all about Martin Luther,
so last year I decided to request this book about him. It looked good, even if
I would not be easily able to distinguish fact from fiction. This was plugged
as being the first outright Historical Fiction work by this author (as opposed
to her previous Historical Romances), but personally I did not notice a whole
lot of difference. There was still a very strong element of Romance and a lot
of romancey scenes. I suppose the subtitle ‘A Novel of Love and Rebellion’
should have been a clue. For those who enjoy historical romance this would not
be a problem, but those who expected something different might be disappointed.
I do believe that whilst Mrs
Hedlund is a good storyteller, her stories are not always well executed. They
tend to be very dependent on ‘dramatic devices’ such as violence, both physical
and sexual and throwing every adverse circumstance possible at the characters. The
Middle section of the book is like a constant round of killing or the mention
of killing, kidnapping, rape or attempted rape. For example, the word ‘torture’
is used 9 times, ‘abuse’ 10 times. For a book of just under 400 pages, if you
average it out, it’s like a mention of torture or abuse every 20 pages.
I understand
there was a Peasant’s Revolt and a virtual war between the Princes and
Peasants, but the book just seemed to get really, really repetitive at this
point, with Luther agonizing about the actions of the peasants, but wanting to
support them, and flitting back and forth between sympathies and alliegances.
Also, I found Luther to be an
incredibly frustrating character. We are told numerous times that he was
totally against violence, and would condemn the use of violence by either side.
Yet he seemed to be constantly prepared to make excuses for the peasants saying
‘their demands have merit’, and harping on about ‘freedom’- even when they were
going about raping nuns and disembowelling priests in the name of his reforms.
Then, when the nobles supress the revolt, which he advised them to do, he
condemned them for it, because they used violent means and he was meant to be
the protector of the peasants. Protector of what? Murderers and rapists from
the consequences of their actions?
Although my knowledge of this
period is limited, a number of details struck me as rather modern. One was
Luther’s outlook, particularly when it came to politics and the ‘freedom’. I
almost wonder whether American authors seem to have some odd need to interpret
everything in European history as some sort of ‘class war’ or in light of their
revolution. There were a number of modern terms and phrases (I’m sure one of
the characters said ‘gal’ at one point), and the way in which Katherina would occasionally
whine about nobody having the right to ‘control her life’.
I also did not feel the treatment of the
church was always entirely fair and accurate. I know the 16th
century Catholic church was corrupt, I know the Reformation was needed, but the
depiction just seemed to be taken to extremes. Thus the Abbott of the Abbey
from which Katherina escapes was a sadist and a rapist. I mean how stereotypical
can you get- the evil and immoral cleric? It’s also said that she and many of
her fellows ‘had no choice’ or were forced by their families into the celibate
vocation of being nuns. This detail in particular did not ring true, because whilst
there were some people who were put into monasteries and nunneries as children,
many people still chose to enter them or go into the church willingly. Finally, there was absolutely no mention of
the way that Luther went off the rails in his later years, and became not only
an anti-Semite, but as oppressive as the system that had been thrown off.
Perhaps the author was simply
unaware of this, but Luther seemed altogether rather too heroic and perfect, as
well as the ideas he represented. It’s like
as long as the lead character represents the ‘true gospel’ social equality and ‘freedom’
or Protestantism against the supposedly evil ‘system’ or ‘institutional religion’,
then they and everything they stand for is all sweetness and light. Sadly, that’s
not always the case in real life.
I received a copy of this book
from the publisher via Blogging for Books for the purposes of leaving a review.
I was not required to write a positive one and all opinions expressed are my
own.
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